Sandra Beck

No writer in Canada today is more in love with the English, and French, languages than John Lavery. That love is gloriously requited. In inventive, incantatory prose, Sandra Beck, his long-awaited first novel, paints a very unusual portrait of a lady. This is a book about many things: the struggling antics of adolescence, the banal delusions of solitude, the city of Montreal. But it is, above all, a deeply moving tribute to a woman who is both present and absent on every page.

Who is Sandra Beck? She is a mother, a wife, a musician, a manager; but, too, she is the ghost in the seat behind us, always just outside the edges of easy description. Her story is told in the voices of others - namely, her daughter, the wordstruck and lovestruck Josee and her husband, the police chief and TV personality P. F. Bastarache. In a book that embraces paradox and defies the expected limits of what a novel can do, language is at once a gleeful celebration and a crutch, a trick. Despite their keen investigative powers, the "testimony" of Josee and her father is often untrustworthy, even contradictory: self-interest hobbles their understanding. Sandra herself becomes a crutch for them both - a crutch they must learn to live without.

No writer in Canada today is more in love with the English, and French, languages than John Lavery. That love is gloriously requited. In inventive, incantatory prose, Sandra Beck, his long-awaited first novel, paints a very unusual portrait of a lady. This is a book about many things: the struggling antics of adolescence, the banal delusions of solitude, the city of Montreal. But it is, above all, a deeply moving tribute to a woman who is both present and absent on every page.

Who is Sandra Beck? She is a mother, a wife, a musician, a manager; but, too, she is the ghost in the seat behind us, always just outside the edges of easy description. Her story is told in the voices of others - namely, her daughter, the wordstruck and lovestruck Josee and her husband, the police chief and TV personality P. F. Bastarache. In a book that embraces paradox and defies the expected limits of what a novel can do, language is at once a gleeful celebration and a crutch, a trick. Despite their keen investigative powers, the "testimony" of Josee and her father is often untrustworthy, even contradictory: self-interest hobbles their understanding. Sandra herself becomes a crutch for them both - a crutch they must learn to live without.