Fists upon a Star

Fists upon a Star is the hard-hitting memoir of Florence James, a pioneering American theatre director, whose devastating experience with McCarthyism led her to flee to Canada. The memoir is as epic as America itself. Born in 1892 in the frontier society of Idaho, she became a suffragette in New York City, was the first to put Jimmy Cagney on stage, and along with her husband, Burton, founded the Negro Repertory Theater and the nationally recognized Seattle Repertory Playhouse. With star appearances by Woody Guthrie and Helen Hayes, the memoir beautifully illustrates the evolution in her personal life and the development of professional theater during the Great Depression, World War II, and the McCarthy period. James believed that theatre could offer both an uplifting artistic experience and the tools to advance community development. Her views on art and politics and her choice to stage what some saw as controversial plays led to a clash with the Un-American Activities Committee. After two Kafkaesque trials, a conviction for refusing to follow Committee rules, and being manhandled by police, she fled to Canada. Written thirty-five years ago with celebrated actress Jean Freeman, James’s memoir sheds light on a fully realized creative life, her love for Burton, and a fascistic strain of American politics that continues to exist today.
Fists upon a Star is the hard-hitting memoir of Florence James, a pioneering American theatre director, whose devastating experience with McCarthyism led her to flee to Canada. The memoir is as epic as America itself. Born in 1892 in the frontier society of Idaho, she became a suffragette in New York City, was the first to put Jimmy Cagney on stage, and along with her husband, Burton, founded the Negro Repertory Theater and the nationally recognized Seattle Repertory Playhouse. With star appearances by Woody Guthrie and Helen Hayes, the memoir beautifully illustrates the evolution in her personal life and the development of professional theater during the Great Depression, World War II, and the McCarthy period. James believed that theatre could offer both an uplifting artistic experience and the tools to advance community development. Her views on art and politics and her choice to stage what some saw as controversial plays led to a clash with the Un-American Activities Committee. After two Kafkaesque trials, a conviction for refusing to follow Committee rules, and being manhandled by police, she fled to Canada. Written thirty-five years ago with celebrated actress Jean Freeman, James’s memoir sheds light on a fully realized creative life, her love for Burton, and a fascistic strain of American politics that continues to exist today.